Kalman and the Passing of Time
Maira
Kalman uses humor through her drawings and diary-like entries in order to
reflect on her life, others’ lives, and the passing of time. She reminds herself
and others that time and life pass by very quickly, and that we’re all just
living in temporary moments. She uses humor and funny drawings (ex. dodo) to
talk about serious topics such as death and arguably “the meaning of life” and
happiness.
Kalman’s
almost obsession with the passing of time can be seen with all the historical
characters that Kalman draws and brings into her story. She starts off with the
Dodo, a bird that became extinct over 300 years ago. To add to her list of
historical figures, Kalman adds on Spinoza (who tried to find the state of
happiness), Stalin, Einstein, Tolstoy, Dostoevsky, etc., all people who did many
things, but who are dead now. Even though they all did great or memorable
things, ultimately time passed through them too, although they are remembered
for the things they did. It’s interesting, however, that Kalman spends most of
her book talking about and describing people she doesn’t know, yet she easily
skips over her mom/the death of her mom (who she still clearly grieves) and the
death of her husband as well.
Kalman
contrasts serious moments with humor, suddenly interrupting the declining mood
with seemingly unprepared adlibs. Kalman takes us along with her through her thought
process. This can be seen, for example, on page 82. Kalman starts by stating
that she is tired, sad and that it felt like the world was coming to an end. While
this might then put the reader into a saddened state too, Kalman then
interrupts these feelings of sadness before they can even settle by writing
that the best thing to do then, is riding the two-dollar subway for a “life-affirming
ride,” which is unexpected and therefore funny to the audience. Kalman then
takes us along a trip through the NY subway, in which she observes many people
which then puts her in a happy mood again. This shows how the author gains
happiness from the life around her, if anything she reminds the reader to not
take life too seriously and enjoy the simple things in life. Kalman again evades
deep and “serious” thoughts, such as “the meaning of life,” and all of these
complex theories, by saying “let’s go to Paris” instead of thinking of an
answer (133). Once again, Kalman stresses that there is no point in talking
about things that arguably don’t have answers and that we should enjoy the
little things, and the big picture instead.
Kalman
uses humor to push through life, even as she herself tends to go through
depressive episodes, regarding the death of her mother, husband, and wars
(Palestinian-Israeli I believe). Through her depressive state though, she
cheers up at times by observing those around her, and reminding herself and
others that time and moments always pass.
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